![]() ![]() Radiohead's eighth record, The King of Limbs, represents a marked attempt to create a considered and cohesive unit of music that nonetheless sits somewhere outside of the spectrum of their previous full-length discography. How better to unburden themselves of the stress of making more records in the mold of The Bends, OK Computer, Kid A, Amnesiac, and In Rainbows than by simply changing the terms of their engagement? ![]() It'll kill us." This wouldn't be the first time that a member of Radiohead publicly fantasized about disowning the album format, but it might have been the most convincing. But we've all said that we can't possibly dive into that again. It worked with In Rainbows because we had a real fixed idea about where we were going. "None of us want to get into that creative hoo-ha of a long-play record again," Thom Yorke told The Believerin August 2009. What's more, it feels like it stops short intentionally, almost confrontationally, as if Radiohead are trying to ask a new kind of question about their music. Containing a slight eight tracks across 37 minutes, The King of Limbs is Radiohead's first album to clock in under the 40-minute mark, falling into that limbo between a modern full-length and an EP. Announced on Monday of last week and then chucked out to rabid fans like flank steak a day ahead of schedule, the band's eighth album dispenses with the honesty-box pricing model but still finds them using their influence to interrogate the terms around how we consume and relate to music. ![]()
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